The 2011 Aisle Seat Movie Awards

filmreel2011Awards season is here (again)! It’s hard to go more than five minutes without hearing about some group, somewhere, handing out awards to the best films of last year. Now I’m going to add my own to the pile. These awards won’t just celebrate the best pictures and performances of 2011, although that’s certainly part of it; instead, I’m honoring anything notable, be it good, bad, or indifferent. And the best part: no musical numbers or long-ass acceptance speeches! Without any further ado (because, damn, I hates me the ado), here are the 2011 Aisle Seat Awards!

 

Actor With the Biggest Output of Crap: Nicolas Cage (Drive Angry, Season of the Witch)

Best Use of 3D: Hugo 

Worst or Most Pointless Use of 3D: Green Lantern

Best Line of Dialogue: “Go fuck yourself!” – Wolverine (Hugh Jackman) to the future Professor X and Magneto in X-Men: First Class

Worst Line of Dialogue: “May the best va-jay-jay win!” from New Year’s Eve

Most Appropriately Titled Movie: Atrocious

Most Intimidating Anatomy: Michael Fassbender in Shame

Best Movie Nobody Saw: Bellflower

Worst Movie Everybody Saw: Fast Five

Moldy Oldie Award: Take Me Home Tonight, which finally saw release after nearly four years on a studio shelf

Biggest Waste of Talent: Dream House, which starred Daniel Craig, Rachel Weisz, and Naomi Watts, and was directed by Jim Sheridan

Best Original Scores: Hanna and Drive

Best Musical Number: “Life’s a Happy Song” from The Muppets

Worst Musical Number: Brandon T. Jackson rapping and Martin Lawrence breakdancing, both dressed as overweight women, in Big Mommas: Like Father, Like Son

Best Opening Credits Sequence: The Girl With the Dragon Tattoo

Movie Most Improved By a Director’s Cut: Sucker Punch

Slacker Award: Tyler Perry, who only released one movie in 2011, as opposed to his usual two or three

Don’t Quit Your Day Job Award: Kevin Smith, who tried making a horror film with Red State, and seemingly forgot how to write interesting characters or a coherent plot in the process

Most Uncharacteristically Sloppy Movie From a Usually Reliable Director: Ron Howard – The Dilemma

Perviest Scene From a Movie Other Than Shame: Horny old guy licks the face of a naked, comatose Emily Browning in Sleeping Beauty

Best Character Name: Dean “Motherfucker” Jones - Horrible Bosses

Movie Not Nearly as Good as the Hipster Buzz Would Lead You To Believe: Hobo with a Shotgun

Movie Every Bit as Good as the Hipster Buzz Would Lead You To Believe: Attack the Block

The Nooooooooooo! Award for Most Heartbreaking Badness: Cars 2, which broke Pixar’s perfect track record of making good films

Most Overused Idea: Opposite-sex pals engaging in “emotion-free” sex (No Strings Attached, Friends with Benefits)

Least Justifiable Bandwagon: “Give Andy Sirkis an Oscar nomination for Rise of the Planet of the Apes!”

Busiest Actress No One Had Ever Heard of Before This Year: Jessica Chastain (The Debt, Take Shelter, Coriolanus, The Tree of Life, The Help, Texas Killing Fields)

Most Impressive Debut: Elizabeth Olsen in Martha Marcy May Marlene

Best Action Sequence: Tom Cruise scaling the Burj Khalifa in Mission: Impossible – Ghost Protocol

Best Villain: The tire in Rubber

 

Best Documentary: The Elephant in the Living Room

Worst Documentary: I Want Your Money

Best Animated Feature: Rango

Best Comedy: Bridesmaids

 

Best Picture: Hugo

Best Actor: (tie) George Clooney in The Descendants/Jean Dujardin in The Artist

Best Actress: Kirsten Dunst in Melancholia

Best Supporting Actor: Nick Nolte in Warrior

Best Supporting Actress: Shailene Woodley in The Descendants

 

Worst Picture: Jack and Jill

Worst Actor: Adam Sandler in Jack and Jill

Worst Actress: Leighton Meester in The Roommate

Worst Supporting Actor: (tie) Kellan Lutz/Jackson Rathbone/Peter Facinelli in The Twilight Saga: Breaking Dawn – Part 1

Worst Supporting Actress: (tie) Ashley Greene/Nikki Reed in The Twilight Saga: Breaking Dawn – Part 1

 

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